Fleshy Portmanteau (Cease)

Riley Mackrory
2 min readNov 20, 2023
David — ‘The Death of Marat’

So flexible am I

(Aye, look at me bend)

That I, Iphigenia, my Reflection

Have to instil some internal metronome

Something to track

To track movement and changes and turbulence and whimsy

To be translucent (sic empty) and therefore filled with clear light

To exist mainly as concept; sleeping easily with oneself because of it

And again writing flimsy words

Apocryphal

And which unpredictably all end up being about me

X

As every crest breaks its back I taste blood at the back of my back teeth

And I run my tongue along to savour ailment

One which I have to

Savour

Anyway

Metallic and dense and likely more substantial

Than most other elements that compose me, or rather,

The absence of things which compose that absence which, I, now, regard as ‘I’

Things I can grin with in the mirror (and all humour which follows)

And something that takes my hand and prods me gently to the opening act

Of a slaughter

X

With bulging veins and ravaged capillaries preach towards gallows

[Placeholder: Insert Name]

The whimpering dog whimpers are you trying to be funny

[No]

And I giggle at how pickles have become the most vital ingredient

And for the second time this week I’m at an eschatological rehearsal

And I’m absolutely pissing with sweat

Take my hand little sister before all intertwined fabrics dissolve

Finding no place for holy thorns nor what tends to spring up or weave amongst them

Finding no dreams wrapt in dreamingfoil, and a newfound barren now newfoundly cold, despotic

“May God grant you health and not forget me.”

--

--